Crowd | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	51	8

Playback	Listens	Hours
48h	33	5
7d	54	8
30d	526	76

Playback	Listens	Hours
48h	104	14
7d	343	44
30d	1.9k	259

Playback	Listens	Hours
48h	4.8k	491
7d	12.1k	1.2k
30d	83.1k	8.3k

Playback	Listens	Hours
48h	63	4
7d	206	15
30d	1.4k	101

62 shows

76 tapes

Blueground Undergrass

113

Playback	Listens	Hours
48h	1	6m
7d	21	2
30d	113	10

Playback	Listens	Hours
48h	171	19
7d	396	44
30d	2.2k	253

1,226 shows

1,776 tapes

Bob Weir

Playback	Listens	Hours
48h	209	28
7d	657	84
30d	5k	652

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	1	53m
7d	0	0m
30d	0	0m

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	50	7
7d	113	20
30d	840	142

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	6

Playback	Listens	Hours
48h	56	6
7d	209	19
30d	1.1k	102

Playback	Listens	Hours
48h	152	15
7d	419	43
30d	1.5k	151

Playback	Listens	Hours
48h	0	0m
7d	18	51m
30d	334	18

Playback	Listens	Hours
48h	3	36m
7d	10	1
30d	217	29

Playback	Listens	Hours
48h	17	1
7d	50	4
30d	241	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	7m
7d	1	37m
30d	5	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	27	2
30d	75	9

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	102	24
7d	273	58
30d	1.7k	368

Playback	Listens	Hours
48h	1	15m
7d	23	4
30d	175	32

Playback	Listens	Hours
48h	54	4
7d	60	5
30d	801	68

Playback	Listens	Hours
48h	13	2
7d	151	23
30d	573	87

Playback	Listens	Hours
48h	425	63
7d	839	120
30d	4.4k	600

Playback	Listens	Hours
48h	368	50
7d	796	104
30d	6.1k	840

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	46m
7d	0	0m
30d	19	5

Playback	Listens	Hours
48h	33	3
7d	53	6
30d	202	19

Playback	Listens	Hours
48h	3.3k	504
7d	6.8k	1.1k
30d	39k	6.2k

Playback	Listens	Hours
48h	54	6
7d	30	3
30d	354	40

Playback	Listens	Hours
48h	80	5
7d	272	16
30d	1.3k	79

Playback	Listens	Hours
48h	74	10
7d	197	23
30d	1.4k	171

Playback	Listens	Hours
48h	667	135
7d	2k	375
30d	12.4k	2.5k

Playback	Listens	Hours
48h	5	24m
7d	6	40m
30d	255	26

Playback	Listens	Hours
48h	150	22
7d	434	67
30d	3.2k	485

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	85	20

Playback	Listens	Hours
48h	203	19
7d	272	30
30d	1.6k	167

Playback	Listens	Hours
48h	6	1
7d	43	7
30d	224	36

Playback	Listens	Hours
48h	220	18
7d	436	38
30d	2.9k	259

Playback	Listens	Hours
48h	34	5
7d	16	3
30d	362	61

Playback	Listens	Hours
48h	5	39m
7d	31	4
30d	159	23

Playback	Listens	Hours
48h	116	22
7d	224	38
30d	1.7k	284

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	154	20
7d	299	42
30d	1.7k	232

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	1
30d	14	6

Playback	Listens	Hours
48h	85	5
7d	184	9
30d	889	47

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	95	13

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	20	4

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	59	7

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	12	1
7d	94	6
30d	289	27

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	100	7

Playback	Listens	Hours
48h	1	4m
7d	27	2
30d	192	15

Playback	Listens	Hours
48h	6	18m
7d	25	1
30d	115	7

Playback	Listens	Hours
48h	664	102
7d	1.4k	218
30d	9.2k	1.4k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

G. Love and Special Sauce

601

Playback	Listens	Hours
48h	26	3
7d	93	8
30d	601	53

Playback	Listens	Hours
48h	92	10
7d	98	12
30d	1.1k	124

Playback	Listens	Hours
48h	4	47m
7d	11	2
30d	136	17

Playback	Listens	Hours
48h	3	33m
7d	30	5
30d	265	55

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	1
7d	2	2
30d	35	11

Playback	Listens	Hours
48h	60	8
7d	191	23
30d	1.2k	143

374 shows

509 tapes

Godspeed You Black Emperor!

397

Playback	Listens	Hours
48h	20	5
7d	27	9
30d	397	115

535 shows

799 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	7	54m
7d	2	9m
30d	93	11

Playback	Listens	Hours
48h	4k	879
7d	10.2k	2.3k
30d	50.4k	10.7k

Playback	Listens	Hours
48h	0	0m
7d	46	4
30d	306	27

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	115	17
7d	238	34
30d	1.7k	247

Playback	Listens	Hours
48h	9	56m
7d	2	19m
30d	126	17

Playback	Listens	Hours
48h	320	38
7d	861	109
30d	6.1k	722

Playback	Listens	Hours
48h	46	6
7d	75	9
30d	917	105

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	28	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	4	50m
30d	18	3

Playback	Listens	Hours
48h	25	2
7d	77	6
30d	331	23

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	6	20m
7d	18	2
30d	86	10

Playback	Listens	Hours
48h	35	4
7d	22	3
30d	360	59

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	2	6m
7d	13	1
30d	60	6

Playback	Listens	Hours
48h	33	4
7d	45	4
30d	183	17

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	75	7
7d	206	18
30d	1.2k	108

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	381	26
7d	629	44
30d	4.6k	307

Playback	Listens	Hours
48h	5	28m
7d	59	5
30d	294	30

365 shows

492 tapes

Jazz Mandolin Project

106

Playback	Listens	Hours
48h	8	1
7d	30	5
30d	106	18

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	95	9

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

160

Playback	Listens	Hours
48h	14	2
7d	14	1
30d	160	16

Playback	Listens	Hours
48h	92	12
7d	168	18
30d	1.3k	179

112 shows

162 tapes

2.4k

Playback	Listens	Hours
48h	75	13
7d	327	56
30d	2.4k	404

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.6k

Playback	Listens	Hours
48h	289	39
7d	575	74
30d	3.6k	488

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	30	5

2 shows

5 tapes

Joe Russo's Almost Dead

38.9k

Playback	Listens	Hours
48h	1.8k	332
7d	4.6k	844
30d	38.9k	7.4k

Playback	Listens	Hours
48h	61	6
7d	101	11
30d	687	77

Playback	Listens	Hours
48h	97	10
7d	489	41
30d	2.6k	225

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	51	6

Playback	Listens	Hours
48h	0	0m
7d	21	1
30d	131	9

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	0	0m
7d	16	1
30d	98	9

73 shows

109 tapes

Karl Denson's Tiny Universe

165

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	165	24

Playback	Listens	Hours
48h	142	15
7d	613	64
30d	4.3k	412

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	3	38m
7d	11	2
30d	61	10

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.4k

Playback	Listens	Hours
48h	820	105
7d	2.5k	318
30d	15.4k	2k

Playback	Listens	Hours
48h	122	17
7d	327	44
30d	1.9k	265

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	4	36m
7d	3	19m
30d	44	6

Playback	Listens	Hours
48h	25	5
7d	87	14
30d	680	131

Playback	Listens	Hours
48h	59	7
7d	32	4
30d	751	89

Playback	Listens	Hours
48h	212	20
7d	613	57
30d	3.7k	343

Playback	Listens	Hours
48h	189	28
7d	409	64
30d	2.9k	494

Playback	Listens	Hours
48h	365	34
7d	798	71
30d	5.2k	477

Playback	Listens	Hours
48h	57	4
7d	184	14
30d	1.3k	104

Playback	Listens	Hours
48h	70	14
7d	292	55
30d	1.6k	299

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	16	1
7d	8	29m
30d	54	4

214 shows

296 tapes

Marcus King Band

Playback	Listens	Hours
48h	145	12
7d	205	20
30d	2k	187

Playback	Listens	Hours
48h	12	2
7d	23	2
30d	239	24

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	223	35
7d	474	80
30d	3.6k	563

Playback	Listens	Hours
48h	0	0m
7d	60	4
30d	367	24

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	183	18

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	8	18m
30d	83	3

Playback	Listens	Hours
48h	44	3
7d	111	7
30d	848	58

Playback	Listens	Hours
48h	481	81
7d	1.6k	271
30d	10k	1.6k

1,989 shows

4,493 tapes

Mogwai

Playback	Listens	Hours
48h	5	31m
7d	16	2
30d	34	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	88	8

Playback	Listens	Hours
48h	189	19
7d	681	71
30d	4.3k	444

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	4	22m
30d	57	5

Playback	Listens	Hours
48h	42	5
7d	82	9
30d	553	77

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	9	2
7d	5	46m
30d	36	7

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	121	11
7d	255	22
30d	1.6k	136

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	69	7
7d	162	14
30d	1.2k	118

964 shows

1,497 tapes

O.A.R.

Playback	Listens	Hours
48h	46	5
7d	265	28
30d	1k	106

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	2	28m
7d	36	6
30d	156	29

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	4	30m
7d	0	0m
30d	55	8

Playback	Listens	Hours
48h	86	15
7d	156	28
30d	1.3k	247

689 shows

920 tapes

Phil Lesh and Friends

14.7k

Playback	Listens	Hours
48h	1k	182
7d	2.7k	476
30d	14.7k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	66	12
7d	273	44
30d	2k	315

Playback	Listens	Hours
48h	238	29
7d	605	74
30d	4.3k	550

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	179	23
7d	514	68
30d	3.9k	513

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	41	3
30d	49	4

Playback	Listens	Hours
48h	4	28m
7d	79	12
30d	472	63

Playback	Listens	Hours
48h	461	60
7d	1.1k	137
30d	6.8k	896

Playback	Listens	Hours
48h	27	3
7d	246	21
30d	1.6k	135

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	88	8
7d	251	20
30d	2k	155

Playback	Listens	Hours
48h	109	9
7d	319	27
30d	2.2k	193

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	3	55m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	11	2

Playback	Listens	Hours
48h	320	30
7d	358	35
30d	3.6k	341

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	2	20m
7d	11	1
30d	43	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	81	11

Playback	Listens	Hours
48h	3	17m
7d	0	0m
30d	110	13

91 shows

96 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	31	3
7d	161	14
30d	1k	87

Playback	Listens	Hours
48h	189	28
7d	400	60
30d	2.7k	416

Playback	Listens	Hours
48h	43	10
7d	126	31
30d	1.3k	304

Playback	Listens	Hours
48h	3	12m
7d	75	5
30d	300	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	33	6
7d	131	19
30d	719	114

Playback	Listens	Hours
48h	130	28
7d	240	52
30d	1.8k	395

Playback	Listens	Hours
48h	126	15
7d	137	16
30d	1.3k	175

667 shows

1,139 tapes

String Cheese Incident

19.6k

Playback	Listens	Hours
48h	1.1k	169
7d	2.4k	388
30d	19.6k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	90	10

Playback	Listens	Hours
48h	15	2
7d	4	55m
30d	180	33

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	156	20

Playback	Listens	Hours
48h	37	4
7d	98	11
30d	692	76

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	635	70
7d	1.9k	213
30d	12.3k	1.4k

Playback	Listens	Hours
48h	13	54m
7d	84	5
30d	223	11

Playback	Listens	Hours
48h	99	13
7d	253	31
30d	1.6k	197

Playback	Listens	Hours
48h	25	4
7d	38	5
30d	321	48

473 shows

627 tapes

The California Honeydrops

354

Playback	Listens	Hours
48h	72	10
7d	101	11
30d	354	44

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	561	82
7d	547	75
30d	2.9k	418

Playback	Listens	Hours
48h	1	4m
7d	27	2
30d	203	18

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	19	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	42	7
7d	23	4
30d	352	59

Playback	Listens	Hours
48h	5	29m
7d	18	2
30d	125	16

Playback	Listens	Hours
48h	63	3
7d	644	33
30d	3.9k	208

Playback	Listens	Hours
48h	25	2
7d	77	6
30d	729	51

Playback	Listens	Hours
48h	5	42m
7d	26	4
30d	222	42

247 shows

328 tapes

The New Mastersounds

Playback	Listens	Hours
48h	93	9
7d	98	11
30d	1k	110

293 shows

454 tapes

The Other Ones

Playback	Listens	Hours
48h	217	33
7d	721	101
30d	2k	279

Playback	Listens	Hours
48h	508	50
7d	1.2k	121
30d	7.2k	711

Playback	Listens	Hours
48h	8	37m
7d	88	6
30d	146	11

Playback	Listens	Hours
48h	52	5
7d	136	16
30d	814	86

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	38	8

Playback	Listens	Hours
48h	34	3
7d	142	14
30d	1.2k	128

Playback	Listens	Hours
48h	14	52m
7d	86	6
30d	957	65

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	293	44
7d	745	106
30d	6.4k	927

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	114	11

Playback	Listens	Hours
48h	74	14
7d	260	42
30d	1.6k	259

438 shows

728 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	178	24
7d	725	102
30d	5k	728

Playback	Listens	Hours
48h	11	59m
7d	49	4
30d	221	19

Playback	Listens	Hours
48h	75	5
7d	133	10
30d	1.4k	102

Playback	Listens	Hours
48h	1.1k	89
7d	2.2k	175
30d	13.1k	1.1k

623 shows

1,141 tapes

White Denim

Playback	Listens	Hours
48h	20	1
7d	1	3m
30d	36	3

Playback	Listens	Hours
48h	12.2k	1.5k
7d	34.4k	4.1k
30d	160.9k	19.1k

Playback	Listens	Hours
48h	60	9
7d	235	34
30d	908	134

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.2k

Playback	Listens	Hours
48h	1.1k	101
7d	1.6k	154
30d	11.2k	1.1k

Playback	Listens	Hours
48h	100	17
7d	220	36
30d	1.7k	264

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	33	6
7d	128	22
30d	1.5k	267

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.3k	179
7d	4.2k	551
30d	20.2k	2.7k

Playback	Listens	Hours
48h	1.9k	183
7d	4.9k	691
30d	21.4k	3k

Playback	Listens	Hours
48h	791	103
7d	2.3k	303
30d	34.5k	4.5k

Playback	Listens	Hours
48h	488	64
7d	6.3k	792
30d	35.6k	4.5k

Playback	Listens	Hours
48h	1.2k	161
7d	3.5k	480
30d	53.7k	7.1k

Playback	Listens	Hours
48h	6k	774
7d	6.5k	853
30d	67.3k	8.8k

Playback	Listens	Hours
48h	14.5k	1.8k
7d	13.1k	1.6k
30d	53.7k	6.7k

Playback	Listens	Hours
48h	2.8k	339
7d	16.2k	2k
30d	44.5k	5.3k

Playback	Listens	Hours
48h	4.6k	513
7d	9.1k	987
30d	56k	6.4k

Playback	Listens	Hours
48h	2.6k	267
7d	6.5k	706
30d	19.8k	2.2k

Playback	Listens	Hours
48h	1.9k	222
7d	16.9k	2k
30d	63.5k	7.3k

Playback	Listens	Hours
48h	4.4k	559
7d	10.9k	1.4k
30d	43.7k	5.4k

Playback	Listens	Hours
48h	1.1k	149
7d	4k	523
30d	33.2k	4.4k

Playback	Listens	Hours
48h	1.5k	185
7d	3.1k	379
30d	19.2k	2.4k

Playback	Listens	Hours
48h	12.4k	1.5k
7d	5.4k	657
30d	26.2k	3.3k

Playback	Listens	Hours
48h	1.6k	186
7d	7.4k	884
30d	62.2k	7.2k

Playback	Listens	Hours
48h	1.4k	195
7d	7.5k	1k
30d	25.5k	3.6k

Playback	Listens	Hours
48h	6.1k	787
7d	7.9k	1.1k
30d	36.2k	4.8k

Playback	Listens	Hours
48h	6.8k	946
7d	17k	2.4k
30d	137.2k	19.1k

Playback	Listens	Hours
48h	4k	535
7d	18.8k	2.5k
30d	141.7k	19.1k

Playback	Listens	Hours
48h	255	29
7d	722	72
30d	6.5k	676

Playback	Listens	Hours
48h	4.3k	561
7d	15.8k	2.1k
30d	101.3k	13.2k

Playback	Listens	Hours
48h	3.5k	441
7d	19.2k	2.5k
30d	86.5k	11.3k

Playback	Listens	Hours
48h	2.1k	260
7d	6k	764
30d	39.3k	4.9k

Playback	Listens	Hours
48h	1.4k	147
7d	8.9k	1k
30d	32k	3.6k

Playback	Listens	Hours
48h	968	111
7d	3.3k	375
30d	32.6k	3.5k

Playback	Listens	Hours
48h	2.5k	309
7d	3.4k	447
30d	21.5k	3.1k

Playback	Listens	Hours
48h	287	35
7d	781	104
30d	6.7k	865

Playback	Listens	Hours
48h	107	17
7d	422	56
30d	2.1k	290

Playback	Listens	Hours
48h	302	21
7d	1.8k	138
30d	5.4k	388

Playback	Listens	Hours
48h	32	2
7d	71	4
30d	498	30

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

143

Playback	Listens	Hours
48h	15	2
7d	0	0m
30d	143	16

4:59:06

19 tapes

12/30SBD

202

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	202	22

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	13	2
7d	9	1
30d	96	12

2:15:35

11 tapes

11/21SBD

229

Playback	Listens	Hours
48h	0	0m
7d	43	5
30d	229	25

2:15:55

11/20SBD

Community War Memorial Auditorium

428

Playback	Listens	Hours
48h	16	1
7d	39	4
30d	428	47

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	114	13

Playback	Listens	Hours
48h	0	0m
7d	8	48m
30d	104	12

East Rutherford, NJ, USA

241

Playback	Listens	Hours
48h	2	20m
7d	9	52m
30d	241	29

East Rutherford, NJ, USA

152

Playback	Listens	Hours
48h	11	1
7d	6	50m
30d	152	17

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

180

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	180	21

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

187

Playback	Listens	Hours
48h	1	5m
7d	17	2
30d	187	20

Playback	Listens	Hours
48h	14	2
7d	14	2
30d	149	18

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	114	12

Playback	Listens	Hours
48h	37	5
7d	47	6
30d	251	32

Playback	Listens	Hours
48h	0	0m
7d	67	7
30d	565	62

2:40:08

18 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

302

Playback	Listens	Hours
48h	1	3m
7d	5	31m
30d	302	30

Playback	Listens	Hours
48h	47	6
7d	32	4
30d	261	31

Playback	Listens	Hours
48h	0	0m
7d	3	20m
30d	150	18

Playback	Listens	Hours
48h	0	0m
7d	4	26m
30d	208	20

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	0	0m
7d	28	4
30d	90	12

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

329

Playback	Listens	Hours
48h	14	2
7d	70	8
30d	329	37

2:25:59

9/12SBD

106

Playback	Listens	Hours
48h	10	1
7d	21	3
30d	106	13

2:30:28

9/11SBD

114

Playback	Listens	Hours
48h	1	7m
7d	26	3
30d	114	13

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	44	5
30d	93	9

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

406

Playback	Listens	Hours
48h	14	1
7d	87	9
30d	406	44

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

104

Playback	Listens	Hours
48h	7	54m
7d	19	2
30d	104	12

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

210

Playback	Listens	Hours
48h	16	2
7d	35	5
30d	210	28

Playback	Listens	Hours
48h	16	1
7d	34	4
30d	199	20

Oklahoma City, OK, USA

478

Playback	Listens	Hours
48h	4	27m
7d	16	2
30d	478	51

Playback	Listens	Hours
48h	1	4m
7d	1	5m
30d	23	3

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

173

Playback	Listens	Hours
48h	9	1
7d	1	7m
30d	173	21

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

105

Playback	Listens	Hours
48h	8	1
7d	7	47m
30d	105	12

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

245

Playback	Listens	Hours
48h	24	2
7d	29	4
30d	245	27

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

383

Playback	Listens	Hours
48h	22	3
7d	58	8
30d	383	50

Playback	Listens	Hours
48h	94	11
7d	1.6k	183
30d	1.7k	194

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

4.9k

Playback	Listens	Hours
48h	145	20
7d	4.5k	622
30d	4.9k	671

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

7.7k

Playback	Listens	Hours
48h	294	34
7d	6.4k	726
30d	7.7k	885

Playback	Listens	Hours
48h	96	12
7d	320	39
30d	3k	370

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

5.7k

Playback	Listens	Hours
48h	113	12
7d	349	36
30d	5.7k	575

Cuyahoga Falls, OH, USA

Playback	Listens	Hours
48h	45	4
7d	112	11
30d	5k	507

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

3.9k

Playback	Listens	Hours
48h	113	13
7d	120	13
30d	3.9k	456

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	31	4
7d	58	6
30d	1.7k	192

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

1.1k

Playback	Listens	Hours
48h	2	17m
7d	88	10
30d	1.1k	125

Playback	Listens	Hours
48h	16	2
7d	97	12
30d	6.3k	751

Playback	Listens	Hours
48h	46	5
7d	93	10
30d	4.8k	527

Playback	Listens	Hours
48h	64	7
7d	39	4
30d	3k	351

Playback	Listens	Hours
48h	37	4
7d	59	6
30d	344	39

Playback	Listens	Hours
48h	8	1
7d	44	5
30d	485	57

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	23	2

Playback	Listens	Hours
48h	9	1
7d	38	4
30d	249	28

Playback	Listens	Hours
48h	68	8
7d	93	12
30d	697	86

Philadelphia, PA, USA

367

Playback	Listens	Hours
48h	1	4m
7d	50	4
30d	367	36

Philadelphia, PA, USA

277

Playback	Listens	Hours
48h	1	4m
7d	23	3
30d	277	36

Philadelphia, PA, USA

367

Playback	Listens	Hours
48h	42	5
7d	10	1
30d	367	45

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

297

Playback	Listens	Hours
48h	17	2
7d	113	12
30d	297	32

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

187

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	187	26

2:51:34

26 tapes

4/01

Portland, ME, USA

132

Playback	Listens	Hours
48h	0	0m
7d	58	6
30d	132	15

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

280

Playback	Listens	Hours
48h	31	4
7d	60	7
30d	280	34

Playback	Listens	Hours
48h	5	41m
7d	12	1
30d	104	12

Playback	Listens	Hours
48h	38	5
7d	42	6
30d	344	44

Playback	Listens	Hours
48h	3	18m
7d	53	7
30d	124	15

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

258

Playback	Listens	Hours
48h	20	3
7d	30	4
30d	258	34

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

Playback	Listens	Hours
48h	26	3
7d	5	33m
30d	93	11

Playback	Listens	Hours
48h	13	2
7d	18	2
30d	175	23

Playback	Listens	Hours
48h	30	3
7d	0	0m
30d	202	20

2:21:56

17 tapes

3/13SBD

267

Playback	Listens	Hours
48h	34	4
7d	25	3
30d	267	33

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	0	0m
7d	2	7m
30d	81	9

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	2	16m
7d	4	24m
30d	40	5

2:18:50

3/09SBD

526

Playback	Listens	Hours
48h	18	2
7d	76	10
30d	526	69

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	79	2

13:28

1 tape

2/20SBD

132

Playback	Listens	Hours
48h	4	26m
7d	14	2
30d	132	16

2:16:03

2/19SBD

157

Playback	Listens	Hours
48h	18	2
7d	6	48m
30d	157	19

1:58:18

5 tapes

2/18SBD

296

Playback	Listens	Hours
48h	13	1
7d	13	2
30d	296	33

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.