Fire on The Mountain | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	31	2
7d	7	60m
30d	34	5

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	4	37m
7d	2	19m
30d	52	8

Playback	Listens	Hours
48h	77	12
7d	79	12
30d	587	85

Playback	Listens	Hours
48h	74	11
7d	302	42
30d	1.9k	255

Playback	Listens	Hours
48h	5.5k	534
7d	14.7k	1.5k
30d	84.2k	8.4k

Playback	Listens	Hours
48h	85	6
7d	197	14
30d	1.5k	100

62 shows

76 tapes

Blueground Undergrass

108

Playback	Listens	Hours
48h	17	2
7d	4	29m
30d	108	9

Playback	Listens	Hours
48h	295	36
7d	456	54
30d	2.5k	283

Playback	Listens	Hours
48h	308	36
7d	710	89
30d	4.7k	599

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	13m

Playback	Listens	Hours
48h	69	10
7d	101	15
30d	738	122

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	6

Playback	Listens	Hours
48h	24	2
7d	75	8
30d	933	90

Playback	Listens	Hours
48h	61	7
7d	210	23
30d	1.6k	165

Playback	Listens	Hours
48h	4	14m
7d	41	2
30d	342	18

Playback	Listens	Hours
48h	24	4
7d	18	3
30d	213	28

Playback	Listens	Hours
48h	24	2
7d	94	6
30d	315	22

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	4	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	45	7

79 shows

93 tapes

Circles Around The Sun

1.8k

Playback	Listens	Hours
48h	99	22
7d	256	56
30d	1.8k	377

Playback	Listens	Hours
48h	8	2
7d	40	8
30d	175	31

Playback	Listens	Hours
48h	28	2
7d	105	9
30d	892	76

Playback	Listens	Hours
48h	40	5
7d	55	9
30d	530	82

Playback	Listens	Hours
48h	289	39
7d	895	122
30d	4.9k	670

Playback	Listens	Hours
48h	228	29
7d	1k	133
30d	6.2k	838

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	46m
7d	5	46m
30d	23	6

Playback	Listens	Hours
48h	4	46m
7d	57	5
30d	224	22

Playback	Listens	Hours
48h	2.8k	440
7d	6.6k	1k
30d	40.7k	6.5k

Playback	Listens	Hours
48h	18	2
7d	65	7
30d	412	46

Playback	Listens	Hours
48h	110	7
7d	153	9
30d	1.4k	83

Playback	Listens	Hours
48h	132	16
7d	227	30
30d	1.4k	167

Playback	Listens	Hours
48h	771	165
7d	2.3k	485
30d	12.6k	2.6k

Playback	Listens	Hours
48h	0	0m
7d	83	8
30d	284	29

Playback	Listens	Hours
48h	178	24
7d	543	78
30d	3.1k	472

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	24	7
30d	95	24

Playback	Listens	Hours
48h	59	8
7d	478	49
30d	1.9k	198

Playback	Listens	Hours
48h	8	1
7d	45	7
30d	242	39

Playback	Listens	Hours
48h	140	12
7d	460	40
30d	2.7k	238

Playback	Listens	Hours
48h	32	5
7d	67	11
30d	403	67

Playback	Listens	Hours
48h	27	4
7d	12	1
30d	152	22

Playback	Listens	Hours
48h	139	23
7d	265	48
30d	1.7k	290

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	130	19
7d	312	44
30d	1.8k	248

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	20	5

27 shows

44 tapes

Elliott Smith

Playback	Listens	Hours
48h	17	56m
7d	263	15
30d	1k	56

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	78	11

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	19	2
7d	2	14m
30d	46	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	6	37m
7d	21	2
30d	257	23

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	110	8

Playback	Listens	Hours
48h	10	44m
7d	2	9m
30d	181	14

Playback	Listens	Hours
48h	2	7m
7d	9	28m
30d	115	7

Playback	Listens	Hours
48h	731	115
7d	1.8k	272
30d	9.9k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

639

Playback	Listens	Hours
48h	92	9
7d	110	10
30d	639	57

Playback	Listens	Hours
48h	87	9
7d	316	39
30d	1.3k	152

Playback	Listens	Hours
48h	25	2
7d	20	4
30d	125	17

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	179	35

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	9	1
7d	3	23m
30d	15	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	15	3
7d	8	1
30d	28	9

Playback	Listens	Hours
48h	171	20
7d	301	35
30d	1.4k	166

374 shows

509 tapes

Godspeed You Black Emperor!

371

Playback	Listens	Hours
48h	32	7
7d	69	16
30d	371	105

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	5	35m
7d	0	0m
30d	77	9

Playback	Listens	Hours
48h	3.3k	726
7d	10.5k	2.3k
30d	57.1k	12.3k

Playback	Listens	Hours
48h	25	2
7d	42	3
30d	333	29

363 shows

589 tapes

Grahame Lesh and Friends

1.9k

Playback	Listens	Hours
48h	372	49
7d	479	68
30d	1.9k	278

Playback	Listens	Hours
48h	16	2
7d	37	5
30d	153	20

Playback	Listens	Hours
48h	534	66
7d	980	118
30d	5.8k	699

Playback	Listens	Hours
48h	65	7
7d	135	14
30d	942	107

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	39	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	3	13m
7d	120	8
30d	402	28

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	0	0m
7d	5	39m
30d	79	8

Playback	Listens	Hours
48h	52	9
7d	91	15
30d	378	61

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	6

Playback	Listens	Hours
48h	1	6m
7d	46	5
30d	234	23

674 shows

846 tapes

Infamous Stringdusters

1.3k

Playback	Listens	Hours
48h	166	15
7d	396	36
30d	1.3k	117

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

16 shows

18 tapes

Jack Johnson

Playback	Listens	Hours
48h	438	30
7d	901	64
30d	5k	338

Playback	Listens	Hours
48h	20	2
7d	37	3
30d	300	30

365 shows

492 tapes

Jazz Mandolin Project

123

Playback	Listens	Hours
48h	5	58m
7d	25	4
30d	123	21

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	2	9m
7d	0	0m
30d	76	7

12 shows

14 tapes

Jeff Austin And Friends

146

Playback	Listens	Hours
48h	18	1
7d	3	26m
30d	146	15

Playback	Listens	Hours
48h	36	4
7d	114	15
30d	1.2k	163

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.1k

Playback	Listens	Hours
48h	188	31
7d	290	51
30d	2.1k	368

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.4k

Playback	Listens	Hours
48h	259	37
7d	517	68
30d	3.4k	464

260 shows

311 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	29	4

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

38.7k

Playback	Listens	Hours
48h	1.8k	335
7d	4.8k	874
30d	38.7k	7.3k

Playback	Listens	Hours
48h	63	8
7d	109	11
30d	774	85

Playback	Listens	Hours
48h	232	18
7d	385	33
30d	2.5k	218

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	5

Playback	Listens	Hours
48h	5	25m
7d	1	3m
30d	111	8

Playback	Listens	Hours
48h	9	39m
7d	18	2
30d	111	10

73 shows

109 tapes

124

Playback	Listens	Hours
48h	3	3
7d	4	1
30d	124	19

Playback	Listens	Hours
48h	157	15
7d	498	49
30d	4.2k	408

Playback	Listens	Hours
48h	29	5
7d	70	10
30d	127	19

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	936	132
7d	2.7k	370
30d	15.7k	2.1k

Playback	Listens	Hours
48h	128	15
7d	438	51
30d	2.2k	290

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	5	47m
30d	40	6

Playback	Listens	Hours
48h	25	5
7d	106	24
30d	562	110

Playback	Listens	Hours
48h	73	8
7d	76	9
30d	649	76

Playback	Listens	Hours
48h	392	33
7d	565	53
30d	3.6k	337

Playback	Listens	Hours
48h	172	29
7d	401	62
30d	2.9k	475

458 shows

714 tapes

Little Feat

Playback	Listens	Hours
48h	251	23
7d	615	59
30d	5k	462

Playback	Listens	Hours
48h	50	3
7d	202	13
30d	1.4k	104

Playback	Listens	Hours
48h	66	13
7d	210	43
30d	1.7k	322

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	4	25m
7d	15	1
30d	62	5

Playback	Listens	Hours
48h	180	16
7d	371	33
30d	2.2k	195

Playback	Listens	Hours
48h	17	2
7d	25	3
30d	208	22

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	2	10m
7d	2	10m
30d	2	10m

Playback	Listens	Hours
48h	147	26
7d	498	89
30d	3.3k	538

Playback	Listens	Hours
48h	21	1
7d	62	3
30d	322	21

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	154	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	11	20m
7d	13	24m
30d	80	2

Playback	Listens	Hours
48h	30	2
7d	173	13
30d	825	57

Playback	Listens	Hours
48h	727	117
7d	1.8k	289
30d	10.4k	1.7k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	11	1
7d	16	2
30d	51	5

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	12	52m
30d	96	9

Playback	Listens	Hours
48h	253	27
7d	438	45
30d	3.9k	402

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	1	6m
7d	55	5
30d	65	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	3

Playback	Listens	Hours
48h	42	5
7d	136	19
30d	573	80

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	1	12m
7d	10	2
30d	38	7

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	149	14
7d	269	26
30d	1.7k	146

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	109	9
7d	153	13
30d	1.2k	119

Playback	Listens	Hours
48h	59	7
7d	201	23
30d	1.1k	114

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	1	11m
7d	24	4
30d	149	28

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	32	5
30d	68	10

Playback	Listens	Hours
48h	51	10
7d	206	38
30d	1.2k	234

689 shows

920 tapes

Phil Lesh and Friends

15.8k

Playback	Listens	Hours
48h	1.1k	191
7d	3.1k	543
30d	15.8k	2.8k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	106	16
7d	285	45
30d	2k	313

Playback	Listens	Hours
48h	304	35
7d	609	82
30d	4.3k	548

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	290	38
7d	611	79
30d	4k	519

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	42	5
7d	84	13
30d	504	70

Playback	Listens	Hours
48h	779	99
7d	1.4k	189
30d	7.4k	962

Playback	Listens	Hours
48h	28	2
7d	164	12
30d	1.5k	123

Playback	Listens	Hours
48h	107	8
7d	200	17
30d	1.9k	152

379 shows

444 tapes

Ryan Adams

Playback	Listens	Hours
48h	110	10
7d	243	20
30d	2k	170

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	55m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	172	17
7d	535	50
30d	3.6k	344

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	7	51m
7d	22	3
30d	65	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	65	9

Playback	Listens	Hours
48h	21	2
7d	17	2
30d	125	14

Playback	Listens	Hours
48h	40	3
7d	139	12
30d	946	80

921 shows

1,619 tapes

Sound Tribe Sector 9

Playback	Listens	Hours
48h	263	40
7d	575	88
30d	3k	458

Playback	Listens	Hours
48h	55	12
7d	224	47
30d	1.3k	311

Playback	Listens	Hours
48h	12	39m
7d	24	1
30d	278	16

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	28	4

Playback	Listens	Hours
48h	66	11
7d	90	11
30d	683	108

Playback	Listens	Hours
48h	76	17
7d	298	69
30d	1.8k	398

Playback	Listens	Hours
48h	36	4
7d	224	26
30d	1.4k	180

667 shows

1,139 tapes

String Cheese Incident

19.8k

Playback	Listens	Hours
48h	1.5k	230
7d	3k	482
30d	19.8k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

107

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	107	12

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	167	30

Playback	Listens	Hours
48h	3	22m
7d	35	5
30d	171	22

Playback	Listens	Hours
48h	149	18
7d	215	24
30d	795	87

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	727	83
7d	2.1k	231
30d	12.4k	1.4k

Playback	Listens	Hours
48h	0	0m
7d	45	2
30d	247	13

Playback	Listens	Hours
48h	68	9
7d	327	43
30d	1.5k	189

Playback	Listens	Hours
48h	49	7
7d	74	11
30d	320	46

473 shows

627 tapes

The California Honeydrops

428

Playback	Listens	Hours
48h	38	4
7d	117	15
30d	428	56

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	285	39
7d	637	88
30d	3.5k	499

Playback	Listens	Hours
48h	18	2
7d	33	2
30d	167	15

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	4	1
7d	7	1
30d	22	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	9	1
7d	45	7
30d	358	59

Playback	Listens	Hours
48h	32	4
7d	17	2
30d	108	14

Playback	Listens	Hours
48h	244	12
7d	830	46
30d	4.4k	238

Playback	Listens	Hours
48h	47	3
7d	111	8
30d	769	54

Playback	Listens	Hours
48h	26	8
7d	41	10
30d	253	49

Playback	Listens	Hours
48h	93	10
7d	194	17
30d	1.1k	109

Playback	Listens	Hours
48h	102	16
7d	353	54
30d	2.2k	310

Playback	Listens	Hours
48h	460	43
7d	1k	102
30d	7.4k	715

Playback	Listens	Hours
48h	7	35m
7d	14	1
30d	168	12

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	70	7
7d	293	28
30d	1k	106

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	44m
7d	6	49m
30d	41	8

Playback	Listens	Hours
48h	46	4
7d	164	14
30d	1.1k	114

Playback	Listens	Hours
48h	47	3
7d	132	9
30d	878	59

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	287	43
7d	908	125
30d	5.8k	835

Playback	Listens	Hours
48h	24	2
7d	10	58m
30d	104	10

Playback	Listens	Hours
48h	185	29
7d	230	36
30d	1.6k	256

Playback	Listens	Hours
48h	578	91
7d	1.5k	225
30d	5.7k	848

Playback	Listens	Hours
48h	24	2
7d	45	3
30d	226	19

Playback	Listens	Hours
48h	127	9
7d	244	17
30d	1.3k	95

Playback	Listens	Hours
48h	1.2k	94
7d	2.8k	221
30d	14.2k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	7	27m
7d	0	0m
30d	56	5

Playback	Listens	Hours
48h	15.1k	1.9k
7d	35.9k	4.3k
30d	180.9k	21.5k

2,540 shows

4,189 tapes

Yes

Playback	Listens	Hours
48h	86	14
7d	192	27
30d	1k	148

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.7k

Playback	Listens	Hours
48h	698	63
7d	2k	193
30d	11.7k	1.1k

Playback	Listens	Hours
48h	76	12
7d	211	36
30d	1.6k	255

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	101	19
7d	193	36
30d	1.4k	251

461 shows

668 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	6.3k	851
7d	10k	1.3k
30d	28.4k	3.8k

Playback	Listens	Hours
48h	556	80
7d	2.6k	281
30d	20.3k	2.9k

Playback	Listens	Hours
48h	898	118
7d	2k	262
30d	26.3k	3.5k

Playback	Listens	Hours
48h	437	53
7d	1.2k	160
30d	29.6k	3.7k

Playback	Listens	Hours
48h	1k	135
7d	3k	414
30d	40k	5.3k

Playback	Listens	Hours
48h	7.2k	897
7d	18.1k	2.5k
30d	69.1k	9.3k

Playback	Listens	Hours
48h	14.3k	1.9k
7d	25.4k	3.4k
30d	80k	10.2k

Playback	Listens	Hours
48h	1.5k	180
7d	3.6k	435
30d	46.4k	5.5k

Playback	Listens	Hours
48h	6.9k	748
7d	15k	1.7k
30d	67.1k	7.7k

Playback	Listens	Hours
48h	714	80
7d	4.6k	509
30d	23.4k	2.6k

Playback	Listens	Hours
48h	1.7k	203
7d	3.6k	429
30d	62.9k	7.3k

Playback	Listens	Hours
48h	981	127
7d	10k	1.2k
30d	48.6k	6k

Playback	Listens	Hours
48h	1.2k	150
7d	3.4k	440
30d	33k	4.3k

Playback	Listens	Hours
48h	1.1k	144
7d	3.1k	380
30d	18.5k	2.3k

Playback	Listens	Hours
48h	7.2k	900
7d	16.4k	2k
30d	42k	5.2k

Playback	Listens	Hours
48h	2k	241
7d	4.6k	535
30d	53.2k	6.2k

Playback	Listens	Hours
48h	1.5k	198
7d	3.5k	491
30d	25.2k	3.5k

Playback	Listens	Hours
48h	4.7k	630
7d	23k	3k
30d	54.8k	7.2k

Playback	Listens	Hours
48h	6.5k	915
7d	14.4k	2k
30d	103.7k	14.5k

Playback	Listens	Hours
48h	3.2k	428
7d	8.9k	1.2k
30d	124.2k	16.7k

Playback	Listens	Hours
48h	218	22
7d	505	53
30d	5.5k	581

Playback	Listens	Hours
48h	3.5k	449
7d	8.9k	1.2k
30d	96.7k	12.6k

Playback	Listens	Hours
48h	3.7k	490
7d	8.4k	1.1k
30d	75.5k	9.8k

Playback	Listens	Hours
48h	2.5k	311
7d	5.4k	667
30d	37.8k	4.7k

Playback	Listens	Hours
48h	1.6k	177
7d	4.1k	459
30d	31.3k	3.5k

Playback	Listens	Hours
48h	2.9k	287
7d	3k	337
30d	22.4k	2.5k

Playback	Listens	Hours
48h	1.4k	181
7d	4.5k	767
30d	21.8k	3.1k

Playback	Listens	Hours
48h	365	48
7d	1k	132
30d	5.9k	764

Playback	Listens	Hours
48h	95	15
7d	354	53
30d	2.2k	303

Playback	Listens	Hours
48h	405	25
7d	809	55
30d	5.4k	391

Playback	Listens	Hours
48h	23	1
7d	69	4
30d	436	26

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	6

397

Playback	Listens	Hours
48h	13	2
7d	49	8
30d	397	60

355

Playback	Listens	Hours
48h	17	3
7d	40	7
30d	355	53

599

Playback	Listens	Hours
48h	30	4
7d	120	15
30d	599	73

403

Playback	Listens	Hours
48h	16	2
7d	62	8
30d	403	49

Playback	Listens	Hours
48h	101	12
7d	81	10
30d	664	79

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

409

Playback	Listens	Hours
48h	51	6
7d	27	4
30d	409	54

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

758

Playback	Listens	Hours
48h	6	45m
7d	126	15
30d	758	95

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

286

Playback	Listens	Hours
48h	15	2
7d	53	8
30d	286	40

Playback	Listens	Hours
48h	15	2
7d	42	6
30d	268	36

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

272

Playback	Listens	Hours
48h	17	2
7d	59	7
30d	272	35

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

812

Playback	Listens	Hours
48h	65	9
7d	176	24
30d	812	113

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

242

Playback	Listens	Hours
48h	35	5
7d	39	6
30d	242	34

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

408

Playback	Listens	Hours
48h	17	3
7d	56	8
30d	408	60

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

194

Playback	Listens	Hours
48h	43	5
7d	59	7
30d	194	24

Playback	Listens	Hours
48h	53	7
7d	76	11
30d	419	58

Playback	Listens	Hours
48h	16	2
7d	79	9
30d	202	23

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

402

Playback	Listens	Hours
48h	38	5
7d	120	18
30d	402	60

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

484

Playback	Listens	Hours
48h	51	7
7d	85	11
30d	484	64

Playback	Listens	Hours
48h	31	5
7d	21	4
30d	113	19

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

735

Playback	Listens	Hours
48h	27	4
7d	39	6
30d	735	105

Playback	Listens	Hours
48h	55	7
7d	166	22
30d	954	128

Playback	Listens	Hours
48h	46	6
7d	97	12
30d	480	58

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

402

Playback	Listens	Hours
48h	69	11
7d	114	17
30d	402	63

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

245

Playback	Listens	Hours
48h	15	2
7d	78	11
30d	245	33

Playback	Listens	Hours
48h	78	12
7d	293	42
30d	2.3k	310

9.5k

Playback	Listens	Hours
48h	359	46
7d	880	111
30d	9.5k	1.2k

2.2k

Playback	Listens	Hours
48h	79	12
7d	264	42
30d	2.2k	347

Playback	Listens	Hours
48h	273	37
7d	629	85
30d	6k	816

Playback	Listens	Hours
48h	14	2
7d	95	12
30d	755	92

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.4k

Playback	Listens	Hours
48h	269	40
7d	345	50
30d	2.4k	351

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.9k

Playback	Listens	Hours
48h	112	16
7d	271	39
30d	1.9k	260

Playback	Listens	Hours
48h	139	18
7d	403	55
30d	3.4k	446

Pembroke Pines, FL, USA

7.2k

Playback	Listens	Hours
48h	437	61
7d	864	121
30d	7.2k	999

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.4k

Playback	Listens	Hours
48h	26	3
7d	202	25
30d	1.4k	181

Playback	Listens	Hours
48h	87	12
7d	210	28
30d	1.8k	260

Playback	Listens	Hours
48h	80	12
7d	168	24
30d	1.4k	199

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

3.6k

Playback	Listens	Hours
48h	198	26
7d	420	53
30d	3.6k	465

Playback	Listens	Hours
48h	82	10
7d	161	22
30d	960	126

Playback	Listens	Hours
48h	94	11
7d	240	31
30d	1k	126

Playback	Listens	Hours
48h	8	49m
7d	51	6
30d	135	17

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.4k

Playback	Listens	Hours
48h	183	24
7d	454	60
30d	3.4k	448

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

9.3k

Playback	Listens	Hours
48h	422	61
7d	1.3k	187
30d	9.3k	1.3k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.7k

Playback	Listens	Hours
48h	706	116
7d	1.3k	205
30d	8.7k	1.4k

Playback	Listens	Hours
48h	399	58
7d	770	113
30d	5.7k	841

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.7k

Playback	Listens	Hours
48h	218	32
7d	456	69
30d	2.7k	399

Playback	Listens	Hours
48h	103	17
7d	283	46
30d	1.9k	303

Playback	Listens	Hours
48h	20	2
7d	48	6
30d	608	74

Playback	Listens	Hours
48h	16	2
7d	52	7
30d	405	54

Playback	Listens	Hours
48h	42	5
7d	71	8
30d	362	42

Playback	Listens	Hours
48h	37	5
7d	58	8
30d	546	79

Playback	Listens	Hours
48h	54	9
7d	107	17
30d	790	121

Playback	Listens	Hours
48h	1	12m
7d	34	5
30d	171	22

Playback	Listens	Hours
48h	30	3
7d	27	3
30d	445	50

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

Playback	Listens	Hours
48h	275	36
7d	532	73
30d	3k	416

Philadelphia, PA, USA

738

Playback	Listens	Hours
48h	52	8
7d	130	21
30d	738	118

866

Playback	Listens	Hours
48h	108	14
7d	192	26
30d	866	120

863

Playback	Listens	Hours
48h	42	7
7d	128	20
30d	863	133

Robertson Gym, UC Santa Barbara

1.4k

Playback	Listens	Hours
48h	95	13
7d	161	23
30d	1.4k	200

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	10

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

432

Playback	Listens	Hours
48h	27	3
7d	48	6
30d	432	54

San Bernardino, CA, USA

4.5k

Playback	Listens	Hours
48h	299	40
7d	800	109
30d	4.5k	607

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

112

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	112	14

Playback	Listens	Hours
48h	25	3
7d	29	3
30d	253	29

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive