Deal | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	31	2
7d	1	24m
30d	28	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	4	37m
7d	2	19m
30d	52	8

Playback	Listens	Hours
48h	57	9
7d	71	10
30d	579	83

Playback	Listens	Hours
48h	60	8
7d	265	37
30d	1.9k	250

Playback	Listens	Hours
48h	5.6k	545
7d	11.7k	1.2k
30d	81.1k	8.1k

Playback	Listens	Hours
48h	58	4
7d	139	10
30d	1.4k	96

62 shows

76 tapes

Blueground Undergrass

104

Playback	Listens	Hours
48h	20	2
7d	0	0m
30d	104	8

Playback	Listens	Hours
48h	293	35
7d	279	34
30d	2.3k	263

Playback	Listens	Hours
48h	289	36
7d	580	72
30d	4.5k	582

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	13m

Playback	Listens	Hours
48h	33	5
7d	92	14
30d	729	121

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	6

Playback	Listens	Hours
48h	29	3
7d	57	7
30d	915	89

Playback	Listens	Hours
48h	54	6
7d	207	23
30d	1.6k	165

Playback	Listens	Hours
48h	3	12m
7d	38	2
30d	339	18

Playback	Listens	Hours
48h	20	3
7d	7	1
30d	202	27

Playback	Listens	Hours
48h	53	4
7d	48	3
30d	269	19

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	4	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	45	7

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	87	19
7d	215	48
30d	1.7k	368

Playback	Listens	Hours
48h	29	6
7d	17	3
30d	152	27

Playback	Listens	Hours
48h	24	2
7d	97	8
30d	884	75

Playback	Listens	Hours
48h	40	6
7d	30	5
30d	505	78

Playback	Listens	Hours
48h	266	35
7d	734	100
30d	4.7k	648

235 shows

360 tapes

Dark Star Orchestra

Playback	Listens	Hours
48h	315	39
7d	829	111
30d	6k	815

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	46m
7d	5	46m
30d	23	6

Playback	Listens	Hours
48h	3	39m
7d	54	5
30d	221	21

Playback	Listens	Hours
48h	2.6k	420
7d	5.3k	821
30d	39.4k	6.3k

Playback	Listens	Hours
48h	14	2
7d	50	5
30d	397	45

Playback	Listens	Hours
48h	142	8
7d	92	5
30d	1.3k	80

Playback	Listens	Hours
48h	122	16
7d	171	22
30d	1.3k	159

Playback	Listens	Hours
48h	896	190
7d	1.8k	369
30d	12.1k	2.5k

Playback	Listens	Hours
48h	20	2
7d	63	6
30d	264	27

Playback	Listens	Hours
48h	200	27
7d	404	59
30d	2.9k	452

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	6	2
7d	18	5
30d	89	22

Playback	Listens	Hours
48h	87	10
7d	402	40
30d	1.8k	189

Playback	Listens	Hours
48h	9	1
7d	42	7
30d	239	39

Playback	Listens	Hours
48h	149	13
7d	389	33
30d	2.6k	232

Playback	Listens	Hours
48h	15	2
7d	61	10
30d	397	66

Playback	Listens	Hours
48h	27	4
7d	2	18m
30d	142	21

Playback	Listens	Hours
48h	135	24
7d	192	34
30d	1.6k	276

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	140	20
7d	234	33
30d	1.7k	237

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	20	5

27 shows

44 tapes

Elliott Smith

Playback	Listens	Hours
48h	16	58m
7d	254	14
30d	1k	56

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	78	11

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	7	44m
7d	2	14m
30d	46	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	6	37m
7d	19	2
30d	255	23

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	110	8

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	181	14

Playback	Listens	Hours
48h	8	25m
7d	1	3m
30d	107	7

Playback	Listens	Hours
48h	763	118
7d	1.4k	214
30d	9.5k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

580

Playback	Listens	Hours
48h	104	10
7d	51	4
30d	580	51

Playback	Listens	Hours
48h	62	7
7d	285	35
30d	1.3k	148

Playback	Listens	Hours
48h	25	2
7d	20	4
30d	125	17

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	179	35

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	4	29m
7d	0	0m
30d	12	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	18	4
7d	5	46m
30d	25	8

Playback	Listens	Hours
48h	137	16
7d	217	25
30d	1.3k	156

374 shows

509 tapes

Godspeed You Black Emperor!

354

Playback	Listens	Hours
48h	39	9
7d	52	12
30d	354	101

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	77	9

Playback	Listens	Hours
48h	3.6k	791
7d	8.6k	1.9k
30d	55.2k	11.8k

Playback	Listens	Hours
48h	26	2
7d	18	1
30d	309	27

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	369	48
7d	251	39
30d	1.7k	249

Playback	Listens	Hours
48h	10	1
7d	37	5
30d	153	20

Playback	Listens	Hours
48h	485	62
7d	783	92
30d	5.6k	673

Playback	Listens	Hours
48h	71	7
7d	103	11
30d	910	104

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	39	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	32	2
7d	89	6
30d	371	25

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	78	8

Playback	Listens	Hours
48h	42	7
7d	61	9
30d	348	55

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	6

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	234	23

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	128	12
7d	330	31
30d	1.2k	111

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	383	25
7d	761	54
30d	4.8k	328

Playback	Listens	Hours
48h	20	2
7d	29	2
30d	292	29

365 shows

492 tapes

Jazz Mandolin Project

123

Playback	Listens	Hours
48h	5	58m
7d	25	4
30d	123	21

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	76	7

12 shows

14 tapes

Jeff Austin And Friends

146

Playback	Listens	Hours
48h	18	1
7d	3	26m
30d	146	15

Playback	Listens	Hours
48h	44	5
7d	83	11
30d	1.2k	159

112 shows

162 tapes

Jerry Joseph and the Jackmormons

Playback	Listens	Hours
48h	180	30
7d	223	39
30d	2k	356

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.3k

Playback	Listens	Hours
48h	223	31
7d	401	53
30d	3.3k	449

260 shows

311 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	29	4

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

37.7k

Playback	Listens	Hours
48h	2k	349
7d	3.7k	683
30d	37.7k	7.1k

Playback	Listens	Hours
48h	87	10
7d	60	6
30d	725	80

Playback	Listens	Hours
48h	172	15
7d	315	26
30d	2.4k	211

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	5

Playback	Listens	Hours
48h	5	25m
7d	1	3m
30d	111	8

Playback	Listens	Hours
48h	1	2m
7d	18	2
30d	111	10

73 shows

109 tapes

124

Playback	Listens	Hours
48h	0	0m
7d	4	1
30d	124	19

Playback	Listens	Hours
48h	184	18
7d	355	35
30d	4.1k	394

Playback	Listens	Hours
48h	29	5
7d	49	6
30d	106	15

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.1k

Playback	Listens	Hours
48h	1k	138
7d	2.1k	294
30d	15.1k	2k

Playback	Listens	Hours
48h	172	20
7d	323	38
30d	2.1k	278

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	1	11m
7d	4	36m
30d	39	6

Playback	Listens	Hours
48h	49	10
7d	68	17
30d	524	103

Playback	Listens	Hours
48h	75	9
7d	51	6
30d	624	73

Playback	Listens	Hours
48h	393	33
7d	449	43
30d	3.5k	327

Playback	Listens	Hours
48h	184	31
7d	303	47
30d	2.8k	460

Playback	Listens	Hours
48h	230	22
7d	492	46
30d	4.9k	450

Playback	Listens	Hours
48h	43	3
7d	172	11
30d	1.3k	102

Playback	Listens	Hours
48h	78	16
7d	155	32
30d	1.6k	311

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	8	42m
7d	11	54m
30d	58	4

Playback	Listens	Hours
48h	187	16
7d	272	25
30d	2.1k	188

Playback	Listens	Hours
48h	22	3
7d	9	1
30d	192	20

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	2	10m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	111	20
7d	427	77
30d	3.3k	527

Playback	Listens	Hours
48h	21	1
7d	42	2
30d	302	20

Playback	Listens	Hours
48h	4	30m
7d	0	0m
30d	150	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	11	20m
7d	2	4m
30d	69	2

Playback	Listens	Hours
48h	72	5
7d	122	9
30d	774	54

Playback	Listens	Hours
48h	721	117
7d	1.4k	224
30d	10k	1.6k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	14	1
7d	2	13m
30d	37	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	12	52m
30d	96	9

Playback	Listens	Hours
48h	226	24
7d	339	34
30d	3.8k	391

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	47	4
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	3

Playback	Listens	Hours
48h	43	5
7d	116	16
30d	553	77

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	1	12m
7d	10	2
30d	38	7

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	117	11
7d	194	18
30d	1.6k	138

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	75	6
7d	130	11
30d	1.2k	118

964 shows

1,497 tapes

O.A.R.

Playback	Listens	Hours
48h	79	9
7d	133	15
30d	1k	107

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	18	3
7d	7	1
30d	132	24

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	32	5
30d	68	10

Playback	Listens	Hours
48h	70	13
7d	169	31
30d	1.2k	227

689 shows

920 tapes

Phil Lesh and Friends

15.1k

Playback	Listens	Hours
48h	1.1k	193
7d	2.4k	437
30d	15.1k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	92	14
7d	240	38
30d	2k	306

Playback	Listens	Hours
48h	213	28
7d	500	66
30d	4.2k	533

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	258	33
7d	501	65
30d	3.8k	505

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	56	8
7d	66	9
30d	486	66

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	722	91
7d	1.1k	146
30d	7k	920

Playback	Listens	Hours
48h	35	2
7d	135	10
30d	1.5k	121

Playback	Listens	Hours
48h	71	6
7d	151	13
30d	1.9k	149

Playback	Listens	Hours
48h	79	7
7d	223	18
30d	1.9k	168

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	55m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	181	18
7d	453	42
30d	3.6k	336

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	7	51m
7d	22	3
30d	65	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	65	9

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	125	14

Playback	Listens	Hours
48h	44	3
7d	119	11
30d	926	78

Playback	Listens	Hours
48h	271	44
7d	474	72
30d	2.9k	441

Playback	Listens	Hours
48h	78	17
7d	165	34
30d	1.3k	299

Playback	Listens	Hours
48h	4	12m
7d	20	1
30d	274	16

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	14	2
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	83	12
7d	29	4
30d	622	101

Playback	Listens	Hours
48h	112	23
7d	229	55
30d	1.7k	385

Playback	Listens	Hours
48h	52	7
7d	204	23
30d	1.3k	177

667 shows

1,139 tapes

String Cheese Incident

19k

Playback	Listens	Hours
48h	1.4k	236
7d	2.3k	359
30d	19k	3.1k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

107

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	107	12

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	167	30

Playback	Listens	Hours
48h	3	22m
7d	32	5
30d	168	22

Playback	Listens	Hours
48h	156	18
7d	114	12
30d	694	76

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	744	85
7d	1.7k	190
30d	12k	1.4k

Playback	Listens	Hours
48h	0	0m
7d	45	2
30d	247	13

Playback	Listens	Hours
48h	138	17
7d	224	30
30d	1.4k	177

Playback	Listens	Hours
48h	51	8
7d	35	5
30d	281	40

473 shows

627 tapes

The California Honeydrops

396

Playback	Listens	Hours
48h	36	4
7d	85	12
30d	396	52

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	243	33
7d	540	76
30d	3.4k	487

Playback	Listens	Hours
48h	18	2
7d	28	2
30d	162	14

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	4	1
7d	7	1
30d	22	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	0	0m
7d	45	7
30d	358	59

Playback	Listens	Hours
48h	10	1
7d	17	2
30d	108	14

Playback	Listens	Hours
48h	326	16
7d	674	37
30d	4.3k	229

Playback	Listens	Hours
48h	40	3
7d	98	7
30d	756	54

Playback	Listens	Hours
48h	20	6
7d	36	8
30d	248	48

247 shows

328 tapes

The New Mastersounds

Playback	Listens	Hours
48h	76	7
7d	148	13
30d	1k	105

Playback	Listens	Hours
48h	99	16
7d	296	44
30d	2.1k	301

Playback	Listens	Hours
48h	283	27
7d	896	88
30d	7.2k	700

Playback	Listens	Hours
48h	14	1
7d	0	0m
30d	154	11

Playback	Listens	Hours
48h	77	8
7d	242	23
30d	978	101

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	44m
7d	1	5m
30d	36	7

Playback	Listens	Hours
48h	71	6
7d	106	9
30d	1.1k	109

Playback	Listens	Hours
48h	46	3
7d	113	7
30d	859	58

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	273	41
7d	806	109
30d	5.7k	819

Playback	Listens	Hours
48h	22	2
7d	10	58m
30d	104	10

Playback	Listens	Hours
48h	190	29
7d	142	22
30d	1.5k	242

Playback	Listens	Hours
48h	644	104
7d	1.1k	162
30d	5.3k	785

Playback	Listens	Hours
48h	38	3
7d	17	1
30d	198	17

Playback	Listens	Hours
48h	79	6
7d	188	14
30d	1.2k	91

Playback	Listens	Hours
48h	1.2k	93
7d	2.2k	169
30d	13.6k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	7	27m
7d	0	0m
30d	56	5

Playback	Listens	Hours
48h	15.4k	1.9k
7d	27.2k	3.2k
30d	172.2k	20.4k

Playback	Listens	Hours
48h	102	18
7d	125	16
30d	934	137

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.5k

Playback	Listens	Hours
48h	658	59
7d	1.7k	168
30d	11.5k	1.1k

Playback	Listens	Hours
48h	95	16
7d	156	26
30d	1.5k	245

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	101	19
7d	132	25
30d	1.4k	240

461 shows

667 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	8k	1.1k
7d	4.8k	638
30d	23.2k	3.1k

Playback	Listens	Hours
48h	482	70
7d	2.8k	310
30d	20.6k	2.9k

Playback	Listens	Hours
48h	929	122
7d	2k	261
30d	28.1k	3.7k

Playback	Listens	Hours
48h	401	50
7d	1.3k	168
30d	31k	3.9k

Playback	Listens	Hours
48h	1.2k	159
7d	3k	403
30d	43k	5.7k

Playback	Listens	Hours
48h	6.7k	860
7d	19.5k	2.6k
30d	69k	9.3k

Playback	Listens	Hours
48h	15.8k	2.1k
7d	26.1k	3.3k
30d	72.8k	9.2k

Playback	Listens	Hours
48h	1.4k	170
7d	4.9k	594
30d	46.1k	5.5k

Playback	Listens	Hours
48h	6.2k	698
7d	15.9k	1.8k
30d	66.5k	7.6k

Playback	Listens	Hours
48h	767	87
7d	5.9k	636
30d	23.4k	2.6k

Playback	Listens	Hours
48h	1.6k	184
7d	4k	478
30d	63.1k	7.3k

Playback	Listens	Hours
48h	1.1k	134
7d	12.7k	1.6k
30d	49.3k	6.1k

Playback	Listens	Hours
48h	1.4k	172
7d	3.3k	420
30d	33k	4.3k

Playback	Listens	Hours
48h	982	125
7d	3.2k	406
30d	18.6k	2.3k

Playback	Listens	Hours
48h	5.2k	632
7d	20.7k	2.6k
30d	41.6k	5.2k

Playback	Listens	Hours
48h	1.9k	231
7d	4.3k	500
30d	53.3k	6.2k

Playback	Listens	Hours
48h	1.2k	172
7d	3.6k	497
30d	25.4k	3.5k

Playback	Listens	Hours
48h	5.9k	804
7d	21k	2.7k
30d	52k	6.8k

Playback	Listens	Hours
48h	6k	846
7d	15.5k	2.2k
30d	105.2k	14.7k

Playback	Listens	Hours
48h	3.3k	452
7d	9.4k	1.3k
30d	133.8k	18k

Playback	Listens	Hours
48h	241	24
7d	550	60
30d	5.5k	582

Playback	Listens	Hours
48h	3.3k	427
7d	9.8k	1.3k
30d	96.7k	12.6k

Playback	Listens	Hours
48h	3.4k	450
7d	8.6k	1.1k
30d	77.7k	10.1k

Playback	Listens	Hours
48h	2.3k	285
7d	5.5k	678
30d	37.6k	4.7k

Playback	Listens	Hours
48h	1.8k	205
7d	3.8k	418
30d	31.1k	3.5k

Playback	Listens	Hours
48h	2.2k	229
7d	2.9k	324
30d	22.6k	2.5k

Playback	Listens	Hours
48h	945	145
7d	5.4k	836
30d	22k	3.1k

112 shows

326 tapes

1968

Playback	Listens	Hours
48h	399	52
7d	941	126
30d	6k	768

Playback	Listens	Hours
48h	113	15
7d	312	49
30d	2.1k	298

Playback	Listens	Hours
48h	330	24
7d	809	55
30d	5.5k	393

Playback	Listens	Hours
48h	34	2
7d	63	4
30d	425	26

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	6

389

Playback	Listens	Hours
48h	14	3
7d	41	6
30d	389	59

350

Playback	Listens	Hours
48h	11	2
7d	35	6
30d	350	53

570

Playback	Listens	Hours
48h	38	5
7d	91	11
30d	570	70

402

Playback	Listens	Hours
48h	14	1
7d	61	8
30d	402	49

Playback	Listens	Hours
48h	19	2
7d	76	10
30d	659	79

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

397

Playback	Listens	Hours
48h	47	5
7d	15	3
30d	397	52

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

757

Playback	Listens	Hours
48h	2	19m
7d	125	15
30d	757	95

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

276

Playback	Listens	Hours
48h	20	3
7d	43	7
30d	276	38

Playback	Listens	Hours
48h	16	2
7d	39	5
30d	265	35

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

253

Playback	Listens	Hours
48h	17	2
7d	40	4
30d	253	32

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

764

Playback	Listens	Hours
48h	73	10
7d	128	17
30d	764	106

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

220

Playback	Listens	Hours
48h	22	3
7d	17	3
30d	220	31

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

386

Playback	Listens	Hours
48h	33	5
7d	34	5
30d	386	57

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

162

Playback	Listens	Hours
48h	39	5
7d	27	3
30d	162	20

Playback	Listens	Hours
48h	51	7
7d	59	8
30d	402	56

Playback	Listens	Hours
48h	19	2
7d	74	8
30d	197	22

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

380

Playback	Listens	Hours
48h	30	4
7d	98	15
30d	380	57

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

464

Playback	Listens	Hours
48h	29	4
7d	65	8
30d	464	62

Playback	Listens	Hours
48h	31	5
7d	17	3
30d	109	18

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

734

Playback	Listens	Hours
48h	21	3
7d	38	6
30d	734	105

Playback	Listens	Hours
48h	51	7
7d	147	19
30d	935	125

Playback	Listens	Hours
48h	42	5
7d	87	11
30d	470	57

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

373

Playback	Listens	Hours
48h	65	10
7d	85	13
30d	373	58

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

239

Playback	Listens	Hours
48h	13	2
7d	72	10
30d	239	32

Playback	Listens	Hours
48h	105	16
7d	218	31
30d	2.2k	299

9.3k

Playback	Listens	Hours
48h	372	47
7d	691	87
30d	9.3k	1.2k

2.1k

Playback	Listens	Hours
48h	126	19
7d	171	28
30d	2.1k	333

5.9k

Playback	Listens	Hours
48h	226	30
7d	520	71
30d	5.9k	802

Playback	Listens	Hours
48h	16	2
7d	79	9
30d	739	89

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.3k

Playback	Listens	Hours
48h	247	35
7d	226	35
30d	2.3k	335

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.8k

Playback	Listens	Hours
48h	92	13
7d	200	29
30d	1.8k	249

Playback	Listens	Hours
48h	132	18
7d	324	45
30d	3.3k	435

Pembroke Pines, FL, USA

7.1k

Playback	Listens	Hours
48h	434	61
7d	679	96
30d	7.1k	974

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.4k

Playback	Listens	Hours
48h	30	4
7d	181	22
30d	1.4k	178

Playback	Listens	Hours
48h	66	9
7d	149	20
30d	1.8k	252

Playback	Listens	Hours
48h	66	10
7d	151	21
30d	1.4k	196

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

3.5k

Playback	Listens	Hours
48h	194	25
7d	343	43
30d	3.5k	455

Playback	Listens	Hours
48h	85	11
7d	120	17
30d	919	121

Playback	Listens	Hours
48h	124	16
7d	184	23
30d	955	118

Playback	Listens	Hours
48h	12	1
7d	34	4
30d	118	15

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.3k

Playback	Listens	Hours
48h	172	23
7d	382	50
30d	3.3k	438

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

9.1k

Playback	Listens	Hours
48h	345	51
7d	1.1k	157
30d	9.1k	1.3k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.4k

Playback	Listens	Hours
48h	640	105
7d	1k	158
30d	8.4k	1.3k

Playback	Listens	Hours
48h	294	42
7d	584	86
30d	5.5k	814

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.6k

Playback	Listens	Hours
48h	237	35
7d	324	50
30d	2.6k	379

Playback	Listens	Hours
48h	144	22
7d	195	33
30d	1.8k	289

Playback	Listens	Hours
48h	20	2
7d	34	4
30d	594	72

Playback	Listens	Hours
48h	17	2
7d	40	5
30d	393	52

Playback	Listens	Hours
48h	20	3
7d	49	6
30d	340	39

Playback	Listens	Hours
48h	36	5
7d	35	5
30d	523	76

Playback	Listens	Hours
48h	42	7
7d	89	14
30d	772	118

Playback	Listens	Hours
48h	5	60m
7d	30	4
30d	167	21

Playback	Listens	Hours
48h	14	1
7d	17	2
30d	435	49

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

2.9k

Playback	Listens	Hours
48h	224	30
7d	445	60
30d	2.9k	404

Philadelphia, PA, USA

687

Playback	Listens	Hours
48h	73	12
7d	79	12
30d	687	109

786

Playback	Listens	Hours
48h	119	16
7d	112	15
30d	786	110

853

Playback	Listens	Hours
48h	34	6
7d	118	18
30d	853	131

Robertson Gym, UC Santa Barbara

1.4k

Playback	Listens	Hours
48h	86	12
7d	128	18
30d	1.4k	195

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	10

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

425

Playback	Listens	Hours
48h	28	4
7d	41	5
30d	425	53

San Bernardino, CA, USA

4.4k

Playback	Listens	Hours
48h	240	33
7d	688	94
30d	4.4k	592

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

112

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	112	14

Playback	Listens	Hours
48h	20	3
7d	28	3
30d	252	29

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive