The Race Is On | 1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	81k	10.1k
7d	176.9k	22.7k
30d	1.2M	158.6k

2,080 shows

18,086 tapes

Phish

266k

Playback	Listens	Hours
48h	26.5k	4.6k
7d	43.3k	6.8k
30d	266k	41.1k

Bands

Playback	Listens	Hours
48h	61	4
7d	91	6
30d	726	48

Playback	Listens	Hours
48h	9	1
7d	37	6
30d	165	25

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	1	3m
7d	9	43m
30d	31	3

Playback	Listens	Hours
48h	8	2
7d	24	5
30d	129	26

84 shows

117 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	5	38m

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	3	19m
7d	1	4m
30d	28	4

Playback	Listens	Hours
48h	24	2
7d	24	2
30d	150	12

Playback	Listens	Hours
48h	65	5
7d	25	2
30d	434	37

Playback	Listens	Hours
48h	16	2
7d	39	8
30d	289	37

123 shows

134 tapes

Animal Liberation Orchestra

1.1k

Playback	Listens	Hours
48h	55	7
7d	155	18
30d	1.1k	138

Playback	Listens	Hours
48h	4	41m
7d	14	2
30d	171	35

81 shows

92 tapes

Aquarium Rescue Unit

Playback	Listens	Hours
48h	42	4
7d	218	20
30d	1k	93

Playback	Listens	Hours
48h	34	8
7d	23	5
30d	160	30

Playback	Listens	Hours
48h	37	5
7d	201	26
30d	765	96

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	2	14m
7d	4	15m
30d	91	8

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	144	17
7d	205	27
30d	1.5k	191

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	1	5m
7d	29	2
30d	55	4

Playback	Listens	Hours
48h	1	8m
7d	26	4
30d	129	17

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	65	11

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	31	2
30d	59	6

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	11m
7d	4	37m
30d	56	8

Playback	Listens	Hours
48h	53	7
7d	98	15
30d	613	89

Playback	Listens	Hours
48h	226	30
7d	180	25
30d	1.8k	241

Playback	Listens	Hours
48h	5.6k	554
7d	12.3k	1.2k
30d	80.2k	8k

Playback	Listens	Hours
48h	129	10
7d	145	10
30d	1.4k	95

62 shows

76 tapes

Blueground Undergrass

123

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	123	11

Playback	Listens	Hours
48h	257	30
7d	463	55
30d	2.4k	276

Playback	Listens	Hours
48h	454	57
7d	650	78
30d	4.3k	551

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	13m

Playback	Listens	Hours
48h	42	6
7d	83	12
30d	653	107

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	3	20m
7d	0	0m
30d	45	5

Playback	Listens	Hours
48h	70	7
7d	57	6
30d	841	81

Playback	Listens	Hours
48h	14	1
7d	130	15
30d	1.5k	158

Playback	Listens	Hours
48h	1	4m
7d	7	24m
30d	341	18

Playback	Listens	Hours
48h	7	1
7d	22	3
30d	200	26

Playback	Listens	Hours
48h	23	2
7d	87	6
30d	277	20

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	6

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	149	33
7d	210	45
30d	1.7k	371

Playback	Listens	Hours
48h	15	3
7d	37	7
30d	178	32

Playback	Listens	Hours
48h	22	2
7d	83	7
30d	874	74

Playback	Listens	Hours
48h	26	4
7d	54	8
30d	524	81

Playback	Listens	Hours
48h	224	32
7d	610	79
30d	4.7k	645

235 shows

360 tapes

Dark Star Orchestra

Playback	Listens	Hours
48h	399	52
7d	709	92
30d	6k	808

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	46m
30d	28	6

Playback	Listens	Hours
48h	1	11m
7d	43	4
30d	197	20

Playback	Listens	Hours
48h	2.8k	443
7d	5.5k	879
30d	39k	6.2k

Playback	Listens	Hours
48h	3	16m
7d	37	4
30d	394	44

Playback	Listens	Hours
48h	118	8
7d	193	11
30d	1.3k	80

Playback	Listens	Hours
48h	95	12
7d	225	28
30d	1.3k	162

Playback	Listens	Hours
48h	728	162
7d	2k	422
30d	12.3k	2.5k

Playback	Listens	Hours
48h	58	6
7d	50	5
30d	284	29

Playback	Listens	Hours
48h	137	19
7d	419	59
30d	2.9k	443

158 shows

213 tapes

Domocile

Playback	Listens	Hours
48h	24	5
7d	15	6
30d	91	23

Playback	Listens	Hours
48h	165	19
7d	302	32
30d	1.8k	186

Playback	Listens	Hours
48h	2	21m
7d	44	7
30d	207	34

Playback	Listens	Hours
48h	192	17
7d	320	27
30d	2.6k	232

Playback	Listens	Hours
48h	58	10
7d	47	8
30d	410	68

Playback	Listens	Hours
48h	7	1
7d	27	4
30d	163	24

Playback	Listens	Hours
48h	179	28
7d	243	43
30d	1.6k	285

153 shows

294 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	79	10
7d	299	44
30d	1.8k	247

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	3	40m
7d	7	2
30d	20	5

27 shows

44 tapes

Elliott Smith

Playback	Listens	Hours
48h	54	3
7d	171	10
30d	1k	56

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	4	36m
7d	10	1
30d	71	10

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	15	1
7d	7	44m
30d	52	6

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	0	0m
7d	15	1
30d	244	22

Playback	Listens	Hours
48h	0	0m
7d	16	1
30d	110	8

Playback	Listens	Hours
48h	47	3
7d	1	5m
30d	181	14

497 shows

753 tapes

Fugazi

Playback	Listens	Hours
48h	23	2
7d	9	28m
30d	99	6

Playback	Listens	Hours
48h	681	115
7d	1.4k	216
30d	9.7k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	2	27m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

657

Playback	Listens	Hours
48h	46	5
7d	128	12
30d	657	59

Playback	Listens	Hours
48h	146	17
7d	206	25
30d	1.3k	144

Playback	Listens	Hours
48h	6	53m
7d	34	3
30d	148	19

Playback	Listens	Hours
48h	10	2
7d	14	3
30d	174	34

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	5	33m
7d	4	29m
30d	16	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	0	0m
7d	23	5
30d	43	12

Playback	Listens	Hours
48h	259	31
7d	245	28
30d	1.4k	169

374 shows

509 tapes

Godspeed You Black Emperor!

345

Playback	Listens	Hours
48h	4	2
7d	60	13
30d	345	96

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	45	8
7d	0	0m
30d	77	9

Playback	Listens	Hours
48h	2.4k	524
7d	7.9k	1.8k
30d	56.4k	12.2k

Playback	Listens	Hours
48h	4	19m
7d	37	3
30d	323	28

363 shows

589 tapes

Grahame Lesh and Friends

1.9k

Playback	Listens	Hours
48h	243	35
7d	540	73
30d	1.9k	277

Playback	Listens	Hours
48h	3	13m
7d	18	2
30d	164	22

Playback	Listens	Hours
48h	339	44
7d	960	119
30d	5.7k	686

Playback	Listens	Hours
48h	31	3
7d	141	15
30d	943	107

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	23	4

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	13m
7d	0	0m
30d	8	1

Playback	Listens	Hours
48h	28	2
7d	83	6
30d	383	26

756 shows

1,037 tapes

Hard Working Americans

Playback	Listens	Hours
48h	1	6m
7d	4	33m
30d	79	8

Playback	Listens	Hours
48h	59	10
7d	75	11
30d	359	57

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	6

Playback	Listens	Hours
48h	0	0m
7d	39	4
30d	208	20

674 shows

846 tapes

Infamous Stringdusters

1.3k

Playback	Listens	Hours
48h	189	18
7d	290	27
30d	1.3k	114

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	366	25
7d	854	60
30d	4.9k	333

Playback	Listens	Hours
48h	29	3
7d	46	4
30d	299	30

365 shows

492 tapes

Jazz Mandolin Project

128

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	128	22

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	3	13m
7d	0	0m
30d	69	6

12 shows

14 tapes

Jeff Austin And Friends

162

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	162	16

Playback	Listens	Hours
48h	48	5
7d	80	9
30d	1.1k	155

112 shows

162 tapes

Jerry Joseph and the Jackmormons

Playback	Listens	Hours
48h	92	17
7d	306	51
30d	2k	349

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.3k

Playback	Listens	Hours
48h	235	32
7d	422	59
30d	3.3k	444

260 shows

311 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	29	4

2 shows

5 tapes

Joe Russo's Almost Dead

35.5k

Playback	Listens	Hours
48h	2k	364
7d	4k	729
30d	35.5k	6.7k

Playback	Listens	Hours
48h	14	2
7d	98	11
30d	777	86

Playback	Listens	Hours
48h	327	27
7d	357	30
30d	2.4k	204

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	2	25m
7d	0	0m
30d	41	5

79 shows

108 tapes

Josh Ritter

Playback	Listens	Hours
48h	82	7
7d	5	25m
30d	86	6

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	8	37m
7d	3	14m
30d	97	9

73 shows

109 tapes

Karl Denson's Tiny Universe

120

Playback	Listens	Hours
48h	5	2
7d	3	2
30d	120	19

Playback	Listens	Hours
48h	310	30
7d	398	39
30d	3.8k	376

Playback	Listens	Hours
48h	17	2
7d	60	8
30d	135	20

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	868	120
7d	2.3k	318
30d	15k	2k

Playback	Listens	Hours
48h	78	10
7d	401	47
30d	2.1k	273

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	1	7m
7d	1	11m
30d	27	4

Playback	Listens	Hours
48h	33	6
7d	78	16
30d	545	106

Playback	Listens	Hours
48h	32	4
7d	91	11
30d	685	80

Playback	Listens	Hours
48h	218	22
7d	635	56
30d	3.7k	342

Playback	Listens	Hours
48h	154	29
7d	379	60
30d	2.8k	465

Playback	Listens	Hours
48h	362	33
7d	500	47
30d	4.7k	429

Playback	Listens	Hours
48h	143	11
7d	117	7
30d	1.2k	91

Playback	Listens	Hours
48h	135	24
7d	181	38
30d	1.6k	311

437 shows

624 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	66	5

Playback	Listens	Hours
48h	128	12
7d	374	33
30d	2.1k	187

Playback	Listens	Hours
48h	13	1
7d	25	3
30d	171	18

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	2	10m
30d	2	10m

Playback	Listens	Hours
48h	325	51
7d	356	68
30d	3.1k	502

Playback	Listens	Hours
48h	3	19m
7d	45	3
30d	269	18

Playback	Listens	Hours
48h	28	3
7d	4	30m
30d	147	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	13	24m
30d	80	2

Playback	Listens	Hours
48h	2	8m
7d	133	9
30d	754	52

Playback	Listens	Hours
48h	619	96
7d	1.5k	238
30d	10.2k	1.7k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	2	11m
7d	14	1
30d	51	5

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	16	1
7d	11	48m
30d	71	7

Playback	Listens	Hours
48h	193	19
7d	381	40
30d	3.6k	372

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	2	9m
7d	55	5
30d	65	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	8	29m
7d	0	0m
30d	39	3

Playback	Listens	Hours
48h	47	6
7d	80	11
30d	544	75

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	10	2
7d	1	12m
30d	39	7

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	85	7
7d	202	19
30d	1.6k	138

410 shows

598 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	113	11
7d	143	12
30d	1.1k	104

Playback	Listens	Hours
48h	47	6
7d	198	22
30d	1.1k	112

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	6	59m
7d	23	4
30d	145	27

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	61	9

Playback	Listens	Hours
48h	30	5
7d	134	26
30d	1.1k	214

689 shows

920 tapes

Phil Lesh and Friends

15k

Playback	Listens	Hours
48h	1k	171
7d	2.5k	441
30d	15k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	60	10
7d	275	42
30d	1.9k	295

Playback	Listens	Hours
48h	235	25
7d	547	73
30d	4.1k	521

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	255	34
7d	571	74
30d	3.9k	509

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	20	3
7d	86	12
30d	511	70

Playback	Listens	Hours
48h	458	61
7d	1.3k	172
30d	7.4k	964

Playback	Listens	Hours
48h	47	5
7d	91	7
30d	1.3k	112

Playback	Listens	Hours
48h	32	2
7d	137	11
30d	1.8k	138

379 shows

444 tapes

Ryan Adams

Playback	Listens	Hours
48h	148	13
7d	199	17
30d	2k	168

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	55m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	214	21
7d	380	36
30d	3.5k	333

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	9	1
7d	22	3
30d	72	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	5

Playback	Listens	Hours
48h	23	2
7d	6	32m
30d	121	13

Playback	Listens	Hours
48h	45	4
7d	135	12
30d	845	73

Playback	Listens	Hours
48h	204	35
7d	496	79
30d	2.9k	450

Playback	Listens	Hours
48h	58	15
7d	158	34
30d	1.2k	289

Playback	Listens	Hours
48h	14	55m
7d	28	1
30d	277	16

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	28	4

Playback	Listens	Hours
48h	22	5
7d	93	13
30d	680	108

Playback	Listens	Hours
48h	113	25
7d	218	49
30d	1.7k	387

Playback	Listens	Hours
48h	29	3
7d	149	18
30d	1.3k	173

667 shows

1,139 tapes

String Cheese Incident

18.9k

Playback	Listens	Hours
48h	1.3k	202
7d	2.8k	456
30d	18.9k	3.1k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

107

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	107	12

Playback	Listens	Hours
48h	4	46m
7d	6	1
30d	154	28

Playback	Listens	Hours
48h	9	1
7d	27	4
30d	127	17

Playback	Listens	Hours
48h	81	9
7d	252	29
30d	803	89

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	1.1k	119
7d	1.6k	183
30d	11.9k	1.4k

Playback	Listens	Hours
48h	4	19m
7d	45	2
30d	247	13

Playback	Listens	Hours
48h	72	9
7d	270	35
30d	1.4k	180

Playback	Listens	Hours
48h	24	5
7d	66	9
30d	281	41

473 shows

627 tapes

The California Honeydrops

417

Playback	Listens	Hours
48h	48	6
7d	79	9
30d	417	53

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	174	23
7d	452	61
30d	3.5k	497

Playback	Listens	Hours
48h	7	14m
7d	41	3
30d	171	15

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	11	1
7d	11	2
30d	15	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	22m
7d	0	0m
30d	13	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	7	56m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	38	7
7d	7	47m
30d	308	49

Playback	Listens	Hours
48h	20	3
7d	26	3
30d	116	15

Playback	Listens	Hours
48h	208	11
7d	681	37
30d	4.5k	237

Playback	Listens	Hours
48h	42	3
7d	125	9
30d	758	54

Playback	Listens	Hours
48h	20	5
7d	55	15
30d	259	52

Playback	Listens	Hours
48h	52	8
7d	147	13
30d	1.1k	109

Playback	Listens	Hours
48h	142	19
7d	226	34
30d	2.1k	300

78 shows

255 tapes

The Radiators

Playback	Listens	Hours
48h	639	56
7d	683	67
30d	7k	682

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	172	13

Playback	Listens	Hours
48h	78	9
7d	238	24
30d	968	100

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	6	49m
30d	41	8

Playback	Listens	Hours
48h	124	11
7d	120	11
30d	1.1k	105

Playback	Listens	Hours
48h	69	5
7d	119	8
30d	882	59

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	256	33
7d	690	97
30d	5.6k	804

Playback	Listens	Hours
48h	17	2
7d	32	3
30d	126	12

Playback	Listens	Hours
48h	63	10
7d	302	46
30d	1.6k	252

Playback	Listens	Hours
48h	523	75
7d	1.4k	222
30d	5.7k	840

Playback	Listens	Hours
48h	6	31m
7d	47	3
30d	222	18

Playback	Listens	Hours
48h	96	7
7d	214	16
30d	1.3k	94

Playback	Listens	Hours
48h	1.1k	90
7d	2.3k	181
30d	13.8k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	6	24m
7d	7	27m
30d	61	5

Playback	Listens	Hours
48h	15.3k	1.8k
7d	32.3k	3.9k
30d	178.4k	21.2k

2,541 shows

4,194 tapes

Yes

Playback	Listens	Hours
48h	10	2
7d	160	26
30d	1k	151

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.5k

Playback	Listens	Hours
48h	682	65
7d	1.5k	142
30d	11.5k	1.1k

Playback	Listens	Hours
48h	56	10
7d	178	30
30d	1.4k	238

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	116	21
7d	205	40
30d	1.3k	226

462 shows

669 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	6m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.2k	163
7d	11.5k	1.5k
30d	30.8k	4.1k

Playback	Listens	Hours
48h	557	80
7d	1.4k	195
30d	20.2k	2.9k

Playback	Listens	Hours
48h	708	96
7d	2.1k	282
30d	25.6k	3.4k

Playback	Listens	Hours
48h	508	64
7d	1.2k	153
30d	26.6k	3.3k

Playback	Listens	Hours
48h	1.2k	163
7d	3k	406
30d	37.3k	5k

Playback	Listens	Hours
48h	8.7k	1.1k
7d	20.6k	2.8k
30d	72.7k	9.7k

Playback	Listens	Hours
48h	7.8k	994
7d	27.8k	3.7k
30d	86.4k	11k

Playback	Listens	Hours
48h	1.8k	215
7d	3.6k	426
30d	46.5k	5.5k

Playback	Listens	Hours
48h	4.8k	522
7d	18k	2.1k
30d	68.9k	7.9k

Playback	Listens	Hours
48h	536	60
7d	4k	451
30d	23.2k	2.6k

Playback	Listens	Hours
48h	1.8k	211
7d	3.8k	445
30d	62.9k	7.3k

Playback	Listens	Hours
48h	1.1k	141
7d	9.2k	1.1k
30d	46.6k	5.8k

Playback	Listens	Hours
48h	1.2k	151
7d	3.5k	441
30d	33k	4.3k

Playback	Listens	Hours
48h	1.4k	172
7d	2.7k	342
30d	18.3k	2.3k

Playback	Listens	Hours
48h	8.5k	1.1k
7d	13.3k	1.6k
30d	45.4k	5.6k

Playback	Listens	Hours
48h	2k	224
7d	4.8k	554
30d	50.2k	5.9k

Playback	Listens	Hours
48h	2.2k	276
7d	3.3k	466
30d	24.9k	3.5k

Playback	Listens	Hours
48h	3.5k	473
7d	20.6k	2.7k
30d	56.2k	7.4k

Playback	Listens	Hours
48h	7.1k	996
7d	14.7k	2.1k
30d	102.6k	14.3k

Playback	Listens	Hours
48h	5.5k	723
7d	8.7k	1.2k
30d	114.9k	15.5k

Playback	Listens	Hours
48h	247	25
7d	518	52
30d	5.5k	577

Playback	Listens	Hours
48h	3.8k	484
7d	8.8k	1.1k
30d	96.7k	12.6k

Playback	Listens	Hours
48h	3.6k	467
7d	8.7k	1.1k
30d	74.8k	9.7k

Playback	Listens	Hours
48h	2.8k	347
7d	5.7k	701
30d	37.6k	4.7k

Playback	Listens	Hours
48h	1.3k	151
7d	4.2k	477
30d	31.3k	3.5k

Playback	Listens	Hours
48h	3.6k	331
7d	4.3k	452
30d	23.5k	2.6k

Playback	Listens	Hours
48h	2.5k	287
7d	3.8k	656
30d	21.6k	3.1k

Playback	Listens	Hours
48h	274	38
7d	1.1k	143
30d	5.9k	765

Playback	Listens	Hours
48h	72	10
7d	324	47
30d	2.1k	296

Playback	Listens	Hours
48h	293	16
7d	835	57
30d	5.4k	389

Playback	Listens	Hours
48h	19	1
7d	65	4
30d	437	26

1974

Playback	Listens	Hours
48h	0	0m
7d	4	24m
30d	18	2

San Francisco, CA, USA

921

Playback	Listens	Hours
48h	23	3
7d	139	17
30d	921	116

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	128	14
7d	137	17
30d	1.2k	141

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	95	13
7d	180	28
30d	1.2k	184

San Francisco, CA, USA

763

Playback	Listens	Hours
48h	16	2
7d	114	13
30d	763	86

San Francisco, CA, USA

403

Playback	Listens	Hours
48h	43	7
7d	53	10
30d	403	75

Playback	Listens	Hours
48h	23	2
7d	19	3
30d	98	14

Playback	Listens	Hours
48h	31	4
7d	26	3
30d	186	25

Playback	Listens	Hours
48h	6	55m
7d	124	18
30d	592	82

Playback	Listens	Hours
48h	13	1
7d	0	0m
30d	113	16

Playback	Listens	Hours
48h	28	7
7d	71	14
30d	943	178

Playback	Listens	Hours
48h	16	3
7d	32	6
30d	297	54

Playback	Listens	Hours
48h	55	7
7d	21	2
30d	63	7

Playback	Listens	Hours
48h	68	9
7d	232	31
30d	1.4k	183

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

473

Playback	Listens	Hours
48h	54	8
7d	43	5
30d	473	62

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

463

Playback	Listens	Hours
48h	45	7
7d	47	7
30d	463	65

Playback	Listens	Hours
48h	131	17
7d	183	22
30d	854	102

Playback	Listens	Hours
48h	8	51m
7d	77	9
30d	412	51

Playback	Listens	Hours
48h	440	56
7d	1.1k	140
30d	1.7k	210

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

771

Playback	Listens	Hours
48h	56	6
7d	242	27
30d	771	88

Playback	Listens	Hours
48h	6	43m
7d	92	12
30d	341	43

Playback	Listens	Hours
48h	70	9
7d	188	26
30d	915	134

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

6.1k

Playback	Listens	Hours
48h	63	9
7d	92	15
30d	6.1k	863

Playback	Listens	Hours
48h	90	14
7d	255	45
30d	7.6k	1.1k

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

9.9k

Playback	Listens	Hours
48h	255	37
7d	535	71
30d	9.9k	1.3k

Playback	Listens	Hours
48h	112	13
7d	291	34
30d	9.2k	1.1k

Playback	Listens	Hours
48h	57	7
7d	121	14
30d	5k	562

Playback	Listens	Hours
48h	42	5
7d	91	10
30d	5.8k	661

Playback	Listens	Hours
48h	291	45
7d	523	74
30d	10.5k	1.5k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.5k

Playback	Listens	Hours
48h	85	13
7d	204	31
30d	8.5k	1.3k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

851

Playback	Listens	Hours
48h	73	10
7d	72	11
30d	851	116

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

766

Playback	Listens	Hours
48h	107	11
7d	30	4
30d	766	78

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

935

Playback	Listens	Hours
48h	77	10
7d	116	17
30d	935	133

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

6.3k

Playback	Listens	Hours
48h	499	54
7d	683	74
30d	6.3k	691

Vancouver, British Columbia, Canada

581

Playback	Listens	Hours
48h	54	5
7d	120	13
30d	581	63

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

1.8k

Playback	Listens	Hours
48h	121	15
7d	229	29
30d	1.8k	238

Playback	Listens	Hours
48h	41	6
7d	76	9
30d	537	66

Playback	Listens	Hours
48h	121	13
7d	299	33
30d	2.1k	238

Playback	Listens	Hours
48h	1	6m
7d	5	27m
30d	91	8

San Francisco, CA, USA

1.7k

Playback	Listens	Hours
48h	154	21
7d	143	21
30d	1.7k	237

San Francisco, CA, USA

937

Playback	Listens	Hours
48h	31	3
7d	132	15
30d	937	110

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	40	4
7d	24	3
30d	1.1k	122

5/21/74

Beat It On Down The Line

4:30

Beat It On Down The Line

It Must Have Been The Roses

6:59

It Must Have Been The Roses

Weather Report Suite Prelude >

1:08

Weather Report Suite Prelude >

1:08

Weather Report Suite Part 1 >

5:02

Weather Report Suite Part 1 >

FIN

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner